‘When Dino Risi and I have been speechless with Monica Bellucci bare’

In January he offered his second directorial work, Tre sorelle (after the Italian Lockdown 2020), Enrico Vanzina – with out evading it – he had mentioned: «I take my duty as a person who makes a movie about girls, however I actually should not have the presumption to say something about them generally. On this case, I inform three girls. And that is it (they have been Serena Autieri, Chiara Francini, Giulia Bevilacqua plus Rocío Muñoz, and so on.) ». Nevertheless, there are a lot of extra that Enrico Vanzina and his brother Carlo (who handed away in 2018 on the age of 67) have handled extraordinary lives – theirs and that of his father, the nice Steno – all within the title of the cinema. Names like Faye Dunaway, Daryl Hannah, Laura Antonelli, Stefania Sandrelli, Elsa Martinelli, Lauren Hutton and plenty of others.

We discuss girls within the room of his Roman workplace, in Parioli, the place he writes and performs the piano between outdated books, work with footage in pop artwork fashion (Vnzina additionally met Andy Warhol), the political science diploma hidden between the cabinets , two Telegatti (for the 1987 3C boys). Enrico opens the door barefoot, smiling, together with his ordinary Indian chief hair. Then he sits down, appears at an image of his brother Carlo and assaults: «He has all the time been an important discoverer of beauties. In 1956 my father filmed My Son Nero with Alberto Sordi, Vittorio De Sica, Gloria Swanson and a really younger Brigitte Bardot. Someday Swanson invitations us dwelling and offers us armor from the traditional Romans. I used to be 7 years outdated, Carlo 5. I am a very good boy and I thanks straight away, he isn’t. Mama tells him to be good. One thing. Dad scolds him. Silly. Dad will get indignant. And Carlo: I would like Bardot! ».

And who needed them?
«At that age I used to be loopy about Marisa Allasio».

What number of occasions did you fall in love with an actress rising up?
“I’ve had a number of tales, however zero loves. I see them as referring to themselves an excessive amount of, they consider they’re the middle of the world. I’m, in fact, speaking in regards to the stars. To illustrate I am drawn to cashiers, clerks, easy girls. Nevertheless, it’s also true that the protagonist of a movie should really feel thought-about by those that selected and directed her. Carlo and I’ve all the time made the actress of the second consider that she was essentially the most fascinating on the earth. Magnificence counts on set ».

How a lot? Greater than expertise?
“As a lot as. Alberto Arbasino as soon as requested Gary Cooper within the Fifties: What does it take to be an important actor? And he, smiling: “This”, pointing to his face. It’s true. To achieve success being, expertise will not be sufficient, you want presence. Some nice actresses have the magical capability to make everybody consider that they’re gorgeously stunning, even when they don’t seem to be. The true star can try this too ».

Who’re you referring to?
“Bette Davis, Katherine Hepburn, Meryl Streep … They conquered the world with out overwhelming beauties.”

The nicest you’ve got labored with?
“Virna Lisa. He all the time managed to carry the great thing about her face into contact along with her coronary heart. After which she was stunning in any respect ages. A singular lady ».

Essentially the most stunning?
Faye Dunaway. We recorded The Recreation along with her in 1988. It was unbelievable: he felt the sunshine. Once they speak and transfer, actual stars all the time handle to make the very best reflection excellent. Monica Vitti was like that too ».

And Isabella Ferrari?
“After we forged her in 1983 as Selvaggia in Sapore di mare, a task she hated for years, we instantly knew on set that we had picked the best woman for these years. It was sufficient to have a look at it. The identical in 1987 with Sabrina Ferilli, employed for the fellows from 3C: the combination of magnificence and sympathy was spectacular. It was clear that it was going to be very talked-about ».

Is it true that in 2000 for “Christmas holidays” you have been imposed on the mannequin Megan Gale, that of the phone commercials?
“Yep. And the primary time she got here on set, at dawn, with out make-up, we form of stayed like this … ».

«At all times stunning, however completely different. After which very excessive. The gorgeous women must be like Liz Taylor: little ones ».

In 2001, for the film “South Kensington”, you employed the Australian supermodel Elle Macpherson, named The Physique, 1 meter and 83 centimeters …
“Ah, she needed to be thrown to the bottom. Like Carole Bouquet (primary position of Mystère in 1983, ed.) and Renée Simonsen (star of Underneath the gown nothing in 1985, ed.): by no means seen a appear to be hers once more. Carol Alt, however, hit me for an Irish espresso.”

What does it imply?
«The primary lunch collectively, through the filming of Through Montenapoleone in 1986, he ordered solely an Irish espresso. I requested her why. And she or he: “As a woman I used to be fats and ugly, and in school they used to bully me. Now I’m stunning and I need to keep that means without end ».

A little bit inconceivable.
“Al. Magnificence can usually be a rip-off as a result of many, together with males, have no idea learn how to deal with it. Greta Garbo, for instance, was overwhelmed. An ideal one was Valentina Cortese, or Giovanna Ralli, nonetheless unbelievable ».

What does it take to handle actresses with such an necessary character and wonder on the set?
“Persistence. From make-up to jokes, they need to all the time really feel snug, in any other case they behave badly ».

And through the nude scenes?
“Lots of persistence. Until you’re employed with Monica Bellucci. As a producer I labored with Dino Risi in 1991 on the TV film Vita con i figli, starring Giancarlo Giannini. In Pavia Risi, for a scene the place she needed to go to mattress bare she instructed her to get beneath the sheets, and he or she mentioned, “If I’ve to be bare, no drawback.” And with a confidence by no means seen earlier than, he stripped fully in entrance of everybody, crossed the den and went to mattress. “A loopy scene. We have been speechless.”

Are there normally issues?
“There are individuals who requested for the empty set like Carole Bouquet, the bandage as… Within the film with Boldi and De Sica Megan Gale did not need to be filmed and for a scene within the bathe we used a doppelganger. On the premiere, he began yelling “Cease the film!”. It was black. He thought it was her.’

The primary love?
«Barbara Mastroianni, Marcello’s daughter. We have been 16. He actually loved having me in his villa in Castiglioncello, he lived surrounded by the various wives of his household ».

When did your spouse, the German Federica Burger, meet you?
«In 1975, in a bar in Porto Ercole. I noticed her and instantly spoke to her: she was the nice love of my life ».

However years in the past you broke up and he or she moved to Milan, proper?
“Sure, however it was a mistake. After some time I lied to my girlfriend to see my spouse, so after a 12 months and a half I went dwelling. It was the happiness of my life. She by no means stood in the way in which of my work and all the time gave me the best recommendation once I requested her. We obtained married in 1994 once we realized that beneath Italian legislation, being single made a giant distinction ».

It wasn’t her first time, was it?
“In 1974 I went to Bangkok to work on my father’s movie Bigfoot in Hong Kong. I met Tookata, a neighborhood woman from a very good household, I fell in love and shortly after we obtained married in a Buddhist ritual. After I was a vegetarian, I had brief hair … ».

After which?
“I attempted to reside in Bangkok for a number of months, however it was a catastrophe. Then she got here to Rome, and it was worse. We broke up with out drama. My mom did not prefer it very a lot.’

How was the connection along with her?
“Troublesome. He was bipolar and we skilled nice stress, which thankfully we have been in a position to eliminate earlier than his demise. He by no means favored the world of cinema and he needed us diplomats. We did one thing completely different ».


Leave a Comment