the primary version of the artwork competition

Florence Artwork Week will happen from September 16-24 in Florence: an occasion that places town on the middle of latest creative manufacturing. The occasion will consist of varied exhibition initiatives scattered across the streets and locations of town, with the participation of MUS.E – Uffizi, Palazzo Strozzi, Istituto degli Innocenti, BIAF – Worldwide Biennale of Antiques.

Occasions deliberate as a part of the Artwork Week in Florence

Henry Moore returns to Florence

50 years after the memorable 1972 exhibition at Forte di Belvedere, on September 16, Henry Moore returns to Florence. After the nice exhibitions “Henryk Moore. A Sculptor’s Drawing “and” Henry Moore in Tuscany “, Museo Novecento pays tribute to an English grasp with a undertaking created in collaboration with the Henry Moore Basis. The exhibition “Henry Moore in Florence”, curated by Sebastiano Barassi, head of the gathering and exhibitions of the Henry Moore Basis, and Sergio Risaliti, director of the Museo Novecento, showcases two sculptures: “Household Group” and “Massive Type of Inside”, which might be exhibited in Piazza della Signoria and within the church cemetery of the Abbey of San Miniato al Monte. The exhibition will final till March 31, 2023. The undertaking is curated by Museo Novecento in cooperation with the Henry Moore Basis and BIAF – Worldwide Biennial of Antiques.

Again to Moore. Fort Belvedere 1972

At the side of the exhibition ‘Henry Moore in Florence’, the exhibition ‘Again to Moore. Forte Belvedere 1972 ”, which from 19 to 23 September 2022 will current a choice of historic pictures from the non-public archives of all those that visited Henry Moore’s historic exhibition at Forte Belvedere in 1972 from throughout Italy. The gathering of reminiscences collected by Museo Novecento by way of a contest introduced in native newspapers and continued on the museum’s social channels, permitting you to relive this occasion that was so symbolic for Florence, the humanities and the neighborhood.

Olafur Eliasson

From 22 September, Palazzo Strozzi presents an important exhibition devoted to Olafur Eliasson, whose multi-faceted manufacturing focuses on the customer in reflection on the concept of ​​a standard and relational expertise of actuality. The exhibition, curated by Arturo Galansino, director basic of the Palazzo Strozzi Basis, is the results of Olafur Eliasson’s direct work on the areas of the Palazzo Strozzi. The artist works in all Renaissance environments, from the courtyard by way of the Piano Nobile to the Strozzina, creating an interesting path between new installations and historic works that use parts resembling colour, water and light-weight to create an interplay with our Renaissance senses and house. On this approach, the architectural, historic and symbolic context of the constructing is believed out, strengthening the position of the viewers as an integral a part of the works. The exhibition will run till January 22, 2023. Icelandic-Danish artist Olafur Eliasson (1967) works with sculpture, portray, pictures, video, installations and digital media. His artwork is pushed by an curiosity in notion, motion, previous experiences, self and neighborhood emotions. His apply is just not restricted to museums and galleries and engages the general public by way of architectural initiatives, interventions in public areas, actions within the discipline of creative, social and environmental training.

Tony Cragg

From September 23, 2022 to January 29, 2023, Tony Cragg (Liverpool, 1949) would be the protagonist of the Museo Novecento with a big monograph edited by Sergio Risaliti containing a choice of sculptures and works on paper. The English grasp, one of the well-known representatives of latest sculpture, is finest identified for contributing to the renewal of the visible language with the introduction of recent supplies and new methods, among the many most experimental and progressive of our time. For the primary time, three monumental sculptures might be exhibited within the cloisters of the Museo Novecento. The undertaking, utterly new, is meant as a mediation device aimed toward presenting not solely the works (sculptures and drawings), but additionally the artist’s artistic course of.

Renaissance +

Now, in its third version, the Rinascimento + Award returns to its position as a hero for Artwork Week in Florence. Within the metropolis of Medici, the fervour for accumulating up to date artwork is renewed, sanctioned by this prestigious worldwide recognition awarded to excellent collectors and patrons for supporting artwork and artists. The celebration will happen on Friday, September 23 on the Salone dei Cinquecento in Palazzo Vecchio. The awards might be introduced on the event of a gala dinner organized in cooperation with BIAF – the Worldwide Biennial of Antiques in Florence, the world’s most necessary exhibition of Italian historic artwork, which brings collectively the most effective of nationwide artwork and worldwide antiques each two years.

Emiliano Maggi (Rome, 1977) is an artist invited to create the award for the third version of Rinascimento +, an award given yearly to collectors and patrons who stand out internationally for supporting artwork and artists, organized by the Museo Novecento. This 12 months, the award is given to the artist, which is consistent with the Museo Novecento’s want to offer house and encourage up to date productions. Identified for his intensive analysis, Emiliano Maggi can even carry out on the night of September 23 on Arno, curated by Caroline Corbett. A tribute to the exhibitors and friends of the Worldwide Biennial of Antiques current at Palazzo Corsini.

The eagerness of the twentieth century. From Paul Klee to Damien Hirst

The exhibition “Ardour Novecento. From Paul Klee to Damien Hirst ”, curated by Sergio Risaliti, director of the Museo Novecento, promoted by the Metropolitan Metropolis of Florence. The exhibition features a prestigious choice of works by twentieth century masters from personal Florentine and Tuscan collections. A journey into the artwork of the twentieth century, which continues, with a standard thread, the historical past of a metropolis the place creative occasions and personal accumulating have intertwined over the centuries. A invaluable alternative to admire the works of Paul Klee, Giorgio de Chirico, Giorgio Morandi, Alberto Savinio, Lucio Fontana, Alberto Burri, in addition to Andy Warhol and Roy Lichenstein, Cecily Brown and Tracey Emin. The exhibition will final till January 15, 2023.

Sammy Baloji

Throughout Artwork Week in Florence, the Uffizi galleries host an exhibition by Sammy Baloji at Andito degli Angiolini in Palazzo Pitti, who’s getting ready for this event a brand new, key chapter in his analysis on works that got here to Europe from the Kingdoms of the Congo between the Sixteenth and seventeenth centuries . Starting with olifanti – trumpets manufactured from inlaid ivory – two of which already within the mid-Sixteenth century within the collections of Cosimo I de ‘Medici and at present the Treasury of the Grand Dukes, Baloji creates a story that intertwines historic and creative occasions. testimony, reveals the pre-modern historical past of horizontal exchanges between Africa and Europe, difficult the Eurocentric basis upon which the dominant historical past rests. The curators of the exhibition, open from September 6 to November 27, are Lucrezia Cippitelli, Chiara Toti and the BHMF collective.

The Story of Bonelli: 80 Years of Comics

From Tex Willer to Dragonero, going from Piccolo Ranger, Zagor, Dylan Canine and Nathan By no means. The heroes who by September 25 woke up the desires of at the least 4 generations of kids and adolescents could be seen on the Istituto degli Innocenti Museum, the place the exhibition “Bonelli Story: 80 Years of Comics”, devoted to Sergio Bonelli Editore, takes place. It’s a family-friendly exhibition designed to have interaction the viewer by way of unique tables, illustrations, storyboard pages, and a plethora of objects, multimedia installations, movies and unpublished supplies.

Statements of curators and presidents of the realities concerned in Florence Artwork Week

“Florence at present is just not afraid of comparisons with different nice fashionable capitals in Italy and Europe, its means to have interaction in historic and up to date dialogue is now acknowledged, being on the identical time the cradle of the Italian Renaissance and an more and more related city innovation, due to the dear work of cultural establishments which have grow to be now the purpose of reference – underlines Mayor Dario Nardella – Florence Artwork Week desires to be the proper setting to introduce a focus of cultural occasions on the highest stage, a pilot undertaking that we need to kind out within the coming years ”.

“One other main exhibition at Palazzo Strozzi Olafur Eliasson: In your time, it represents one of the necessary up to date artwork occasions of the 12 months in Italy,” says Arturo Galansino, CEO of the Palazzo Strozzi Basis and curator of the exhibition – one of many key occasions of the subsequent Artwork Week in Florence, which, by way of collaboration between totally different Florentine cultural realities create a really evocative and stimulating schedule for the cultural promotion of our metropolis ”.

Maria Grazia Giuffrida, president of Istituto degli Innocenti can be significantly happy with the cooperation: “We’re delighted to have the ability to be part of this necessary initiative on up to date artwork, which brings collectively a number of the most necessary museums and realities on the nationwide stage.” “Me and the Biennale dell’Antiquariato committee are delighted that our occasion has spawned an Artwork Week in Florence, one of the necessary on the planet for the artwork market, due to which the options of exhibitions and exhibitions might be expanded, each for overseas guests and for Florentines themselves” – stated Fabrizio Moretti, secretary basic of BIAF – Worldwide Biennial of Antiques.

“By overthrowing the favored mythology of the Guelphs and Ghibellines Florence, in addition to the too antiquated concept of ​​a metropolis turned solely into the previous, a cradle of the Renaissance, the Artwork Week in Florence was born, an occasion with a successful cultural occasion technique from the start” – declares Sergio Risaliti, director of the Museo Novecento .

“Artwork Week in Florence is a novel alternative to indicate how Florence might take over from the Medici household, whose collections, broadly identified, have all the time been directed to the current day,” says Eike Schmidt, director of the Uffizi Gallery. On this spirit, Andito degli Angiolini on the Palazzo Pitti hosts an exhibition by artist Sammy Baloji, which, primarily based on historic analysis, exhibits how our notion of objects and works belonging to totally different cultures was – and in lots of circumstances nonetheless is – distorted right into a unfavourable sense ”.

“Florence Artwork Week, which Mayor Nardella desires, is a good initiative to convey to the world and collectively the richness and prime quality of the various initiatives carried out by varied establishments and the cultural and museum realities of town of Florence, bringing collectively all these energies in September when it opens the Worldwide Biennale of Antiques. By its nature, MUS.E has all the time labored for max collaboration and sharing, and on this event will be capable to do its finest within the service of the success of Artwork Week in Florence and for the good thing about all of Florence, ”declares Matteo Spanò, President of MUS.E.


Olafur Eliasson, Firefly double polyhedron ball experiment, 2020 chrome steel, filter glass with colour impact (inexperienced, orange, yellow, cyan, pink), mirror glass, LED gentle, motor, paint (black) ø 170 cm Photograph: Jens Ziehe . Courtesy of the artist; neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York / Los Angeles. © 2020 Olafur Eliasson.

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